Actor Benedict Cumberbatch has recently received bad publicity for finding his fans annoying, most likely because they embarrass him. It’s the “slash fiction” which he doesn’t like, stories which erotically pair the inexpressive Sherlock Holmes character he plays on television with his supposedly platonic companion, John Watson. Interviewers read him extracts from these imaginative and highly popular stories written by fans – knowing that they can get a rise out of him.
Writer Elizabeth Minkel in “The New Statesman” explains why Cumberbatch’s fans are rightly upset by this. How can stars hate their fans? A celebrity owes everything to his audience; they’re the ones who are buying his tickets and watching his shows.
What is surprising is that some celebrities still haven’t figured this out. In the 1920s, Rudolf Valentino was embarrassed by hordes of adoring fans. The movies were new then and fan actions were little understood. Men of Valentino’s era didn’t know what they were expected to do with the screaming and fainting women fans. Being a sex symbol seemed unmanly, undignified and impossible to respond to.
A century later, most celebrities know that they owe their success to their fans. Kathy Griffin explained that, at book signings, she smiles at whatever insults or absurdities fans say to her; she simply says, “Thank you for coming,” and that is enough. Fan fiction is something new and not widely understood. It is the new “movies.” Cumberbatch and his interviewers still have some learning to do.
Minkel is right that fan fiction isn’t written for celebrities. But stars should not have to figure out for themselves the uses and social functions of fan activities. Isn’t it the job of social scientists to explain what fan adoration is all about? After all, it’s been around for a hundred years.