Kylie Jenner and Society 2020

When I’m asked where to start a sociological analysis, I think of how I began, in 2020, to introduce my students to society. I started with this statement; ‘Kylie Jenner is the youngest self-made billionaire.’ Then I asked students to say what they thought about this. Student responses are very revealing. What they understand turns out to provide a perfect starting point for thinking about society.

Some students doubt the claim that Kylie Jenner is truly self-made; they point to the Kardashian family’s earlier fame and success. Some also guess that, in reality, her cosmetics business is worth less than a billion. But what students do all agree on is that she is famous and has a business. These universally known facts are profoundly important. As a sociologist, I see this knowledge as anchoring young people into society in ways that have previously been overlooked.

What is it that students know and how does this tell them about society?

  • Students learn through objects that express what Kylie is. Items of her cosmetics business are bought, worn, and displayed in photographs. Through these objects, the essence of ‘Kylieness’ is possessed and displayed.
  • Kylie’s objects are attached to the performance of the feminine.
  • As a person and as a designer, her objects anchor students’ experience in one particular year on the calendar. Kylie things will be understood and associated with the year 2020 when she was popular.
  • Kylie’s product-based fame constitutes her ‘price’ or ‘worth.’ This is a valuation of the behavior and activities associated with her objects. This is simultaneously both sociological and economic.
  • Kylie’s name and products will lose their ‘value of the moment’ as time elapses. In a year or two, these particular objects will no longer signify the exciting features of the feminine. New objects will be needed – which Kylie herself may be able to evolve into and create its replacements.

Taken together, we can see that meaningful objects root people into society in a variety of ways. You don’t yourself have to be feminine or interested in cosmetics for these objects to connect you; being in your age group and knowing your generational peers is enough to involve you in society. Everybody your age will know Kylie Jenner, what her family does, and what Kylie’s personality and brand stand for. The sociological lesson this gives my students is that generational objects connect the entire age group with their society.

Unfortunately for social science, Kylie Jenner and popular culture is absent from current explanations. Serious political and sociological thinking steers away from today’s material objects. Instead, theory directs social scientists toward institutions and word-based explanations. Political theory, of the ‘problem of order’ in Hobbes and Locke, looks to government and economic property to explain people’s behavior. Objects don’t get a look in here; they are not considered capable of influencing people. Sociological theory hasn’t done any better. Durkheim’s ‘anomie’ and Marx’s ‘alienation’ both claim that people are disconnected from society or alienated by harsh money economics. Weber emphasized rational action in the institutions of government and business. But celebrities, meaningful objects, and how we dress to express ourselves in our own generation is totally missing from official social science. This makes it impossible to see how buying and sharing meaningful objects integrates people into society.

Student understanding of Kylie Jenner reveals that seeing, possessing and performing with key objects connects an entire generation with its society. This is a great way to start thinking about sociology. People’s choice of stars and merchandise gives each generation shared bonds. If a celebrity like Kylie can be known and admired through her image and her products, the way is opened up to discover what else binds generations to their society – which is the purpose of studying sociology.

Watching “The Bachelor” as a Sociologist

Recently, I heard a mother apologetically admit that, with her tween daughter, she watches “The Bachelor.” Is this something that needs forgiveness because it’s embarrassing? However involving, isn’t this just trash television and watching it a waste of time? Educated people often condemn popular culture, even if they indulge in it privately. I think this is due to people knowing of no justifying reason for it. But looking closer at “The Bachelor,” isn’t this show really about relationship sociology?

Photo Credit: “The Bachelor” ABC Television

The sociology here is romance; it’s about finding your life partner – the end of the show is expected to be a marriage proposal! Seen as evaluating potential suitors, “The Bachelor” discusses an essential life skill. The contestants make revealing choices – which partner to pick and how to deploy their own courtship. Audiences get involved by evaluating the evaluators. Like all reality television, the show is contrived and largely scripted. So it’s not giving us real life. But isn’t any kind of judging people something bad?

In response, I would remind us that the choices here aren’t moral universals or political discrimination. The decisions are profoundly personal; they involve identifying the right person, meaning ‘right for me, personally.’ Half this process requires us to learn about ourselves. Making this romantic decision involves discovering what we ourselves want and imaginatively projecting who would be compatible with us. There is a profound question behind a marriage proposal – “Could I spend the rest of my life with this person?”

Watching “The Bachelor” may be a great way of improving life’s most significant skill – picking the right person to live with. In my view, this is a great way to spend mother-daughter bonding time. And sociologists should be proud of these two watching the show together!

China, Desire and Progress

People’s Republic of Desire is Hao Wu’s recent film on fan gift giving to live-streamers in China. Often poor, young people are shown spending their scant pay on gifts to online stars like Shen Man, who talks to her fans, or Big Li, a married but vigorously assertive exemplar of masculinity. Behind this fan worship are ideals of gender; young people in China now have a vast media apparatus with which to express their ideals and desires – for feminine beauty, manly assertiveness, and the personal enjoyment of fame.

Shen Man and a Diagram of the YY Entertainment Network

Behind this new industry are owners and investors; they make the big money in this live-streaming industry. The stars are shown struggling, with competition to be number one and with their relationships. Shen Man tries to stay focused because she has to support her parents and their family. And Big Li’s relationship with his manager wife is stressful for both. But beyond the money and stardom, other things are going on. Still authoritarian, the government is letting new desires be expressed; China is tolerating public fandom by millions. It is these fans who are the focus of this film. Millions of ordinary people are now deciding for themselves what they admire and who they want to see. They show this in a serious way, backed by their own precious money. Within themselves there is now space for considering desires and externally these can now be freely shown. This is recognizably progress.

Big Li in his Live-streaming “Showroom”

While resisting the protests in Hong Kong, China’s authoritarian government is opening itself up to private life. Hao Wu shows how millions of people can now indulge personal desires and spend their money impecuniously. With government no longer campaigning for people to adopt serious purposes, the desires of private life are now tolerated. Is this because it distracts people from political protest? Or has the Chinese Communist Party glimpsed a deeper, more future-oriented possibility? Are private life ‘vices’ going to result in ‘public benefits’? Is Hao Wu’s film showing us China at its Mandeville moment?

Seen sociologically, private desires could be what is most needed to push society into its next phase. Future personal relationships may transform manners, lead people to expect romantic courtship, and result in a personally timed lifecourse. Does People’s Republic of Desire show China embracing intimate attractions and generational enthusiasms? Are we seeing a future private identity that will become a source of social change? Fantasizing about a star or hero, joining an informal association, and interfacing with the economy by consumption may preview for us what China’s future holds – a more sociological society.

English Club Football Victory in Europe: A Story Mandeville Would Love

Today, English clubs dominate European soccer. If you ask why, the simple answer is they just buy the best players. The victor here is money. This is the opposite of the German Bundesliga strategy of each club cultivating its own players and slowly building up a pool of local talent. English club football does the exact opposite: it simply buys the best players from anywhere in the world and pays whatever huge sums of money it takes to snag them.

Is this an example of vice beating morals? It’s an old question. If he could travel from the early eighteenth century and see this today, would Bernard de Mandeville be delighted with this example? Wasn’t his whole point that vices like greed for fame and profit make the world a richer and more lively place? If this argument has been known to social science for so long, why is it still strenuously resisted?

Is it wrong that money should win? Are we witnessing here the evil of big business against a German model that is more honest and moral? How can social science answer this question? Big enterprises connect in complex ways. Does the German model only help Europeans whereas global purchases launch footballer’s careers around the world? Is the English model an economic imperialism, robbing developing countries of their best talent? Doesn’t English club football get the money to pay for all these talented players because the fans find their matches more exciting? After all, bigger audiences make Premier League clubs more profitable, while the German games are often boring. In this case, big money appears to express the world popularity of a genuinely more exciting style of game played by English clubs.

In the end, Mandeville isn’t acknowledged because his theory is harder to understand. It relies on processes we call the ‘invisible hand’ – complex unintended outcomes that are hard for social scientists to track through their particulars. And sociologists are not familiar with giving such processes credit for working out well; too often people are seen as victims in these circumstances. But when its only a game, the stakes really aren’t that high. Aren’t the play-offs of a sports tournament a moment to evaluate an important theory of this neglected social scientist? It’s my guess that many other good things result from Mandevillian ‘private vice.’ The challenge lies in specifying exactly under what conditions these things work out well.